Wednesday, June 5, 2013

The Discussion Board (a Mash-up of Perspectives): The Third Pillar of Digital Learning

Up For Debate
All courses are ecologies of learning. There is an interrelationship between each activity in the course – each activity affects the other. In order to get the most out of online learning I would suggest that there are three main pillars that should be a part of most courses – especially in social sciences and the humanities. These three pillars are: (1) Journaling, (2) Blogging, and (3) Discussion Boards.

I see each of these online activities as being interrelated and as contributing to different aspects of learning.

While journaling is an interior activity of intimate learning, between the teacher and the student, and blogging is an exterior activity of public learning, in which the student learns by teaching, the discussion board is an exterior activity of interactive learning, consisting largely of brainstorming between students.

The key to writing a good discussion board post is that builds on what other people are saying and it adds something new. It does not have to agree with previous posts, but it should respond to them in some way – either by providing a new spin to what has already been said, or by providing an alternative perspective that contradicts other perspectives, or by taking the thread in a different direction altogether while staying on topic. Discussion board posts are short blasts of ideas and information. Discussion board posts are best when they are interactive. The question that should be going through someone’s mind, as they are writing the post, is “What am I introducing to this discussion that will be new?”

As students bring different perspectives and experiences to the virtual or physical classroom there is an opportunity for highly creative thought to occur. Creative insights often occur where there is a mash-up of ideas. The most useful discussions take place when people notice different details about the content they have all been exposed to. This activity is particularly useful because each person is likely to notice something that someone else missed. A classroom of full of different observations and impressions helps all of us to “see” things more broadly originally. Usually it is the details that each person notices that makes a discussion board post interesting.

Just as journaling makes digital learning an intimate interaction between the teacher and the student; and blogging allowing students to teach the teacher, and other students and to disseminate ideas far and wide; the discussion board uses the digital environment to foster collaborative learning and creative interaction.

The discussion board works best if it is thought of as being a mental mash-up. There are different ways to go about this. The most obvious form of mash-up is when several people have different perspectives on the same content. When this occurs, participants will be most effective if they take time to examine how they arrived at their different conclusions, interpretations, or opinions. What “evidence” were they looking at? At what point did they come to see things as they do? What experiences led them to their conclusion? What are they basing their conclusion on?

By the way, these are also good questions for a person to ask himself or herself when writing journal entries. It is all interactive.

When a person takes the time to describe how they arrived at their conclusions the discussion provides more insight than it does when people are simply contradicting one another. As I said before, details are important. It is useful to discuss the different details that caught our attention and impacted us in different ways. It is also useful to discuss our differences in how we chose to interpret those details.

Another approach to this interactive mash-up of perspectives on the discussion board is when students have the same observations, conclusions, and interpretations, but build on what the previous student has said by providing new examples. When this happens in a discussion board thread the interpretations that students have are mostly similar, but the new information that each student brings to the discussion consists of bringing different applications of the perspective to the discussion.

In either case, contrast or agreement, the intellectual mash-up is one in which each participant adds to the overall discussion by introducing something new, not by merely agreeing with what the person who went before them said.

It is so important that students introduce something new in each discussion board post that I tend to give very little, if any, credit to posts that merely say, in essence, “me too.”

It basically comes down to this: If you cannot add something new to what people have already said, by presenting an alternative perspective or interpretation, then add something new by providing a new “spin”, or new angles to an existing line of thought – but always, always, always bring something new to the discussion.

Students will often find that ideas that bubbled up in their journal, or in the discussion board, can be refined and reworked into compelling blog posts. Likewise, discussion board activity, and responses to one’s blog, can send a student back to his or her journal to reflect on these ideas in a quieter and more intimate setting. This is why the most effective use of journaling, blogging, and participation on the discussion board is to make these activities interactive and to allow ideas that are developed in one activity to feed off of those developed in another.

It is hard to assign a grade value for creativity and originality. It is practically antithetical to try to grade brainstorming, where students are riffing off of each other. Still, to keep people focused and to ensure quality contributions to the discussion board, it is necessary to have rubric for this activity. My rubric for discussion boards tends to look something like this:

The discussion board activity will be graded based on the following criteria: (1) staying on the topic for the thread, (2) providing new insights into content from the course, (3) explaining how you arrived at your perspective, interpretation, or opinion, and (4) commenting and giving meaningful responses to other people’s posts. 


I generally encourage at least one discussion board post per class session. Because the discussion board works best if it develops as quick blasts of new information, yet these blasts should be substantive, most posts will average about 150 words. I usually allow discussion boards to represent about 20% of the final grade for the course.

The Public Blog (Learning Through Teaching): The Second Pillar of Digital Learning

Image Credit: Developmental Institute
All courses are ecologies of learning. There is an interrelationship between each activity in the course – each activity affects the other. In order to get the most out of online learning I would suggest that there are three main pillars that should be a part of most courses – especially in social sciences and the humanities. These three pillars are: (1) Journaling, (2) Blogging, and (3) Discussion Boards.

I see each of these online activities as being interrelated and as contributing to different aspects of learning.

While journaling is an intimate activity between the teacher and the student, blogging is a public and external activity that allows the student to become the teacher. If a journal is a private record, and an interior reflection on, what a student is learning a blog is the public face of that process of learning.

I have found that, in every class, there are enough students who produce great content in their blogs – from several different perspectives – so that I can use their blogs as instruction tools and as “texts” for all participants in the class to think about. The blogs that students produce can show all of us new ways of thinking and can deepen our learning.

If digital learning can be criticized for being too impersonal, it can also be acknowledged for its ability to encourage people to be producers of unique content. Digital platforms make it possible for all of us to be publishers and producers of content and ideas. Blogging is an effective way of exploiting this potential in the (virtual or physical) classroom.

Being in an academic setting, however, teachers must be able to identify – with reasonable precision – what kind of the learning a student’s blog represents and how it should be evaluated for credit toward successful completion of the course.

My rubric for blogging tends to look something like this:

Blogs will be graded based on (1) how well you address the questions you were asked to write about in this blog; (2) how well you engage the content (videos, printed or digital texts, etc.) in this course; and (3) how readable your blog posts are – “readability” includes minimal typographical and grammatical errors, clear writing, and logical sentence and paragraph structures.

The work of more advanced students will typically be evaluated based on how well they engage topics and themes from the course, how well they engage theoretical perspectives we are using and exploring, how well they situate course content within theoretical categories, how well they are able to contrast and compare those theoretical categories; and how well they are able to critique their selection and use of sources (this may include a brief annotated bibliography as one of their blog posts).

I have found that it is generally useful to require approximately 8 blog posts per semester, which generally comes down to one post every two weeks. Blog posts should average about 700 words.

Because blogs are public expressions of what students are exploring and thinking about I usually make an eight-entry blog worth 40% of the final grade in the course; this may include an activity where students give a presentation of their blog before a live audience.


I think there are three reasons why blogging is important; first, blogging positions students as active learners rather than as mere passive consumers of what someone else is telling them. Secondly, a good measure of how well a person has learned something is whether or not they are able to teach it to others. The third reason that blogging is important is because one of the most effective ways to learn is by teaching.

Tuesday, June 4, 2013

Journaling for Intellectual Intimacy: The First Pillar of Digital Learning

Image Credit: High heeled Traveler.blogspot.com
All courses are ecologies of learning. There is an interrelationship between each activity in the course – each activity affects the other. In order to get the most out of online learning I would suggest that there are three main pillars that should be a part of most courses – especially in social sciences and the humanities. These three pillars are: (1) Journaling, (2) Blogging, and (3) Discussion Boards.

I see each of these online activities as being interrelated and as contributing to different aspects of learning.

Journaling is an intimate activity between the teacher and the student. When I use the journaling tool for an online learning platform, such as Blackboard or Desire 2 Learn, I prefer to make those journals private – just between the teacher and the student. I do not choose the option where anyone in the class can see another student’s journal. The journal should help the student to become more aware of his or her process of learning. The journal should help the student track their own learning process and to take control over it, rather than waiting for the teacher to orchestrate every aspect of the student’s learning. Journals should encourage students to think about themselves as being active learners.

Journal entries also help the teacher to understand how different students learn. Students should describe the questions that arise as they engage the content in the course and the steps they have taken to deepen their understanding of that content. They should especially write about the mistakes they have made or misimpressions they have had, and what they have learned in the process of correcting these errors. Often they will conclude that their assumptions were not entirely wrong, but that they were too limited. Writing journal entries can help a student understand the limitations of ideas that they might otherwise apply too broadly and uncritically.

When students have an opinion, or draw a conclusion, it is useful for them to take the time to use their journals to write about how they arrived at that opinion or conclusion. What did they base their conclusions on? What led them to their conclusion? What evidence, examples, or experiences played a role in their arriving at their conclusions? What doubts or caveats do they have about the conclusions they have drawn? All of these questions will lead to powerful material to explore in their journals.

Students will often find that ideas that bubble up in their journal will lead to better blog posts. They will also find that interaction on the discussion board will trigger thoughts that they want to explore more deeply in their journal.  The combination of journaling, blogging, and participation on the discussion board is an interactive process that allows ideas to feed off of one another.

One of the biggest criticisms of the use of online learning platforms for instruction, even when they are coupled with instruction in the classroom, is that they are impersonal and reduce the amount of human interaction in education. I see writing journal entries as being a way to counter this problem of impersonality. The communication between the teacher and the student, in the student’s journal, can be a highly intimate intellectual experience. The teacher can learn more about how much effort the student is putting into the course, and how well they understand the key concepts, than any activity in an actual classroom will reveal. Journaling can help the teacher to know the student on a deeper level. The feedback that the teacher provides to the student, through the student’s digital journal, can be highly personalized and can provide a strong vehicle for individualized instruction.

However, even though journaling should actually make it easier for students to do well in a course, and the activity is a highly effective method of studying, most students see journaling is simply being additional work they are required to do in order to get through the course. Because they may not, at first, be motivated to keep good online journals I typically assign a grade value and a “rubric” for journaling. It usually looks like this:

Journals will be graded based on (1) how well you identify what you didn't know; (2) the steps you have taken to learn more about what you didn't know; and (3) further questions that came to you as a result of the answers you have found. Basically, you should write about your learning activities as you go through the course. You should have at least one journal entry for each unit of instruction in this course -- each entry should address at least one of the three questions listed above. By the end of the course there should be at least one journal entry for each of those three questions.

I usually suggest that each journal entry should run approximately 500 words, but because the nature of journaling is exploratory it is not unusual for entries to be much longer – perhaps 1,000 words – as the student writes in order to figure out what they want to know, what they want to say, and how they want to say it.

Good journal entries will show that the student is thinking and will make me more sympathetic toward the other digital work they have done in the course.


Because journal entries are records of the internal process of learning, and they give me insight into the depth of student engagement, I generally assign 40% of the final grade to journal activity.

Thursday, March 21, 2013

Three Touchstones of Academic Thinking and Writing

Image Credit: Togetherediting.com
Academic writing is not an objective in and of itself, it is product of careful thinking. Academic writing should show your reader how you came to your conclusions. When you examine how you came to your conclusions this helps you to become intellectually honest and self-reflective. Thinking about how you arrived at a conclusion is the very essence of "critical thinking". There are three touchstones that will help you to do this work: (1) Think about what brings you to the topic you are exploring; (2) think about different theoretical perspectives for exploring this topic; and (3) think about the source material you are working with.

1. Think About What Brings You To This Topic: 

Learning about a topic is a journey. Before you embark on this journey ask yourself this:

What makes you curious about this topic?

What problem(s) are you trying to solve?

What puzzles are you wrestling with?

How might your inquiry into this topic be useful to others?

Any journey of inquiry is motivated by a desire to know or understand something in your life and your surroundings. What is it that you desire to know or to understand? What originated this yearning? Take time to think and write about this. Once you have completed your journey, go back and think about why others might be interested in what you have learned. How might your journey be useful to others?

2. Think About How You Are Engaging Methods of Analysis and Interpretation (Theory):

Theoretical and methodological perspectives call our attention to things that we probably would overlook otherwise. There are many theoretical and methodological perspectives out there. You should be familiar with at least of few of them, and you should be able to distinguish between them.

How would different theoretical lenses (different ways of thinking) approach this phenomenon differently? Contrast and compare them. It is useful to take the examples, given by a source with one theoretical perspective, and examine that same case using a different theoretical perspective. How do your conclusions, using one approach, differ from those that you would arrive at using a different approach? What rival hypotheses can you come up with to interpret what the author observed and recorded? What interpretation of behavior, other than those used by the author, seem plausible to you? In order to do these exercises you first have to understand the theoretical perspective, interpretation and analysis that the author used.

What does this method of thought and observation prime you to look for and pay attention to? If you take one method of analysis or interpretation, how might this approach change what you pay attention to and observe when you go out into the field or you observe raw data?

What are the truth-claims of this particular method of analysis or interpretation? How do these truth-claims differ from those of another method of analysis or interpretation? Some research is intended to discover things that hold true for most cases, most of the time. This kind of research is intended to explain social or personal phenomena. Other research is intended to describe or explore an experience or meaning that a person or group of people construct. It may also be used to explore a theoretical perspective and to examine how this perspective plays out through particular examples. A case study is an example of this. The difference between the two approaches is that one claims to give you information so that you will know about a topic, and you may be able to use that knowledge for operational purposes (you can manipulate and change things in your environment); the other claims to explore ideas and meanings constructed in the minds of subjects under investigation. This approach claims to help you to understand the dynamics of the group or individual and their environment. The first approach claims to enable you to know; the second approach claims to enable you to understand.

3. Think About the Sources You Are Working With:

What is the difference between different types of sources? Is this an academic source, a journalistic source, or a public relations piece from an organization, institution or agency? Is it a blog or opinion piece; and, if so, what is this person's particular experience or expertise that makes us interested in what this person has to say? Why should we care about what this person says? Do they have the power to change things? Do they have the power to influence other people's opinions? Have they done careful and systematic research on this topic? Can they provide us with a first-had account of how people are affected by what we are studying?

Is this a primary source or is it a secondary source? Is it raw, first hand, material from which we can form our opinion or is a secondary source that has processed the raw material and is presenting us with the author's summary or perspective on it? A transcript, unedited footage, or an actual research report are all primary sources. A newspaper clipping or blog post is usually a secondary source. A lot of what is "primary" or "secondary" depends on what you are using it for. For example, if you are writing about the kinds of letters that migrant workers sent to their loved ones back home then the actual letters of migrant workers would become primary source material. If you are trying to understand how bloggers or news reporters are writing about a particular event then these resources, which are otherwise secondary sources, become primary sources because they are raw data, not about the actual event but about what people are saying about it. In this sense they would be raw data for what you are trying to understand.

What is the difference between sources in terms of the style of its presentation? Is it formal or informal? Is it dry and academic or is it conversational? Was this source subjected to professional peer review? What experts or professionals reviewed this source and checked it for accuracy?

What is the difference between sources in terms of the degree of their partisanship? What is the degree of the source's objectivity or subjectivity? An academic study is usually more objective than a newspaper article. A newspaper article is usually more objective than literature published by an organization about itself. Is the producer of the source an advocate for a particular cause, interest or point-of-view? Is the source an artifact from a particular interest group? If the source is from an interest group it can help us to understand how that group is trying to frame the discussion, but we should also ask what kind of information opposing groups are circulating.

How does this source attempt to appeal to your emotions as opposed to your reasoning? What emotive language do the producers of this source use? What logic or reasoning do they use? What kinds of evidence do they provide and work with?

What kinds of metaphors are the authors using? What is implied by these metaphors? What alternative metaphors can you come up with that might have different implications for how we think about the topic? People think metaphorically but usually we don't take time to examine the metaphors we are using. If we examine our metaphors we can more easily trace and understand our patterns of thought. This is useful because it helps us to identify unexamined assumptions and to think of alternative ways of approaching and thinking about the situation. When we examine our metaphors we become more self-reflective about our thought patterns and this helps us deepen our skills of observation and our thinking.

What is the difference between sources in terms of letting you know how the authors know what they know? To what degree do they discuss how they arrived at their conclusions? To what degree do they discuss the sources they draw on? To what degree do they discuss the limitations of their knowledge? To what degree does the source entertain other points-of-view and attempt to provide balance, context, and nuance?

These three touchstones (what brings you to the topic, what theoretical perspectives you are working with, and what sources you are working with) will help you to think and write more deeply about any topic that you want to explore.

Wednesday, March 20, 2013

What is the "Double-Bind" that Makes Schooling an Obstacle to Learning?

Image Credit: Gardner Campbell

In his keynote address at the Open Ed conference in Vancouver, in 2012, Gardner Campbell discussed the need to create "Ecologies of Yearning", a vague concept which we recognize only when we experience it.

Digital technology and social networking tools create the potential for wide-ranging student interaction across vast distances. They also give students access to information and other learning resources that would have been unimaginable 25 years ago, and yet, even as universities adapt digital learning platforms as part of their instruction, students seem to feel more boxed-in than ever rather than feeling as though they are part of an ever-expending, alive and vibrant massive network of learning. Why is that happening?

Digital technology and social networking tools also create the potential for students to participate in project-based learning and to create digital artifacts that should unleash the process of discovery and and stimulate their creative juices, yet students feel constricted by the process, as if they were in a strait-jacket. How are we to understand what blocks this process of creativity and discovery?

Gardner Campbell draws from Gregory Bateson's Steps to an Ecology of Mind to explore the nature of the "double-bind". An application of the double-bind is when it occurs as the requirement to implement conventional modes of course organization and assessment of student learning meet the emerging creative and discovery potential of digital technology. It is akin to saying, "Be spontaneous, but within this rubric."

In order to identify this double-bind we must develop skills recognizing meta-messaging, the meta-context in which we are thinking, meta-contextual perspective, and transcontextual syndromes. To get a handle on these $50 words, watch the lecture. It is essential in order for us to even begin to work our way through this puzzle.

How do we break out of this double-bind so that the minds of students will be freed and authentic learning will take place? Campbell argues that learning begins with yearning; the challenge is how we create educational environments that place yearning at the center of the process of education.

Thursday, February 21, 2013

What is the Future of Online Learning Platforms for Education?

Image credit: Caribwebdev.com


The New York Times highlights the problems and limitations of online learning

On February 18th, The New York Times published an editorial titled "The Trouble with Online College". In it, the Times editorial board said that Massive Open Online Courses (MOOCs), which are non-credit classes with hundreds of thousands of students per class, are not very good models for online classes that are offered for standard college instruction.

The Times warns that "College administrators who dream of emulating this strategy for classes ... would be irresponsible not to consider two serious issues." The two issues they cite are: high student attrition rates among online learners, and lack of assistance for students who are not highly motivated and who lack strong learning skills.

The editorial notes that there is very little interaction between instructors and students in online courses, and that students who are already low-performers fall even further behind. This is based on a study done by Columbia University's Community College Research Center.

Additionally, a five-year study of Washington state students at community or technical colleges, the editorial said, indicated that many students who enroll in these schools lack basic academic and time-management skills. Online courses, the editorial argues, makes them sitting ducks for failure.

The Times editorial sensibly recommends that students first demonstrate competency in traditional classes before being allowed to enroll in online courses. The Times also sensibly recommended that hybrid courses, mixing online learning platforms with in-class instruction, produces outcomes that are comparable to traditional classroom instruction.

What are the problems, and the potential, of digital learning?

Letters to the editor, in response to the editorial, helped to present the other side of the picture.  

Duke University sophomore Aaron B. Krolick says that one of the benefits of online learning platforms is that they enable teachers to get immediate feedback on their teaching so that they can make adaptations as they go along.

I particularly like the way Krolick describes teaching -- including teaching that uses digital technology -- as being an "art" that is in the process of becoming. We have to give this art of teaching time to develop, and to learn from initial errors.

Steven Mintz, founding director of the University of Texas' Systems Institute for Transformational Learning notes that "A 2010 Department of Education review found that 'students in online learning conditions performed modestly better than those receiving face-to-face instruction," and asks how this could be. 

His answer is that lecture classes are less engaging for students than instructional methods that can be used with online learning platforms. Most face-to-face classes for undergraduates, he argues, are lecture-based; online courses, on the other hand, can engage more of the tactile and kinetic modes of learning.

Mintz lays out some of the strengths in digital instruction in order to engage students: "Online courses can enhance learning opportunities for nontraditional students and those not well served by lecture classes. High-quality, next-generation online courses incorporate personalized adaptive learning, problem-solving activities, interactive laboratories, animations, simulations, educational gaming, virtual reality environments, social networking and data analytics," he says.

Mitchell Stevens, associate professor of education at Stanford notes that face-to-face instruction is not always everything that it is cracked up to be in the first place. It is, he notes, "always of uneven quality". There is no guarantee that a student will receive good instruction just because that instruction is formatted face-to-face.

Similarly to Aaron Krolick, Stevens calls for giving the art of digital education more time to develop before we judge it.

As Stevens points out the fallacy of assuming that face-to-face instruction necessarily means higher quality instruction, Lawrence Lipsitz, editor of Educational Technology Magazine, notes that incidents of poorly designed digital instruction does not mean that digital instruction must, of necessity, be poorly designed. Moreover, any course that fails to engage its students may be poorly designed, whether the class is digital or it is face-to-face.

Lipsitz also notes that many faculty members are poorly trained and are not prepared for online instruction. 

From my own experiences, I found out how difficult it is for faculty members to get depth of assistance in finding creative and engaging ways to use online learning platforms. I have used these platforms at three universities and found it very difficult to get anything beyond the most superficial training to adapt the technology to the demands of the various disciplines I was teaching. This was so, despite the fact that two of these universities had fairly large and well-funded digital instruction centers. 

The digital instruction centers had been taught a narrow range of canned methods of instruction. They understood their job to be to pass on these "fool-proof" canned methods of instruction on to professors. Any attempt to think outside of the box was usually met with comments such as, "Nobody ever uses that function," or "nobody has ever asked that before." There was little experience I could draw on for guidance. I had to find my own way through many trials and many errors.

Lipsitz says that MOOCs are certainly not his idea of of well-designed courses, but my experiences have led me to the opposite conclusion -- it is through MOOCs that I am picking up the most useful and meaningful ways to engage students through digital instruction. In MOOCS, I am seeing the potential of digital instruction being modeled every day. 

I am learning a lot, not only by taking MOOCs, as a student, but also by reverse-engineering them, in order to find out how they work so that I can use this information effectively in my role as a faculty member.

But Harry Wyatt, emeritus teaching professor at SUNY, has another opinion on all of this. Wyatt calls distance learning and online education a "pipe dream" and says they are "O.K. for learning more about something we already know, but they are not much use in the beginning stages [of learning]." He goes on to say that "humans are not designed to get their basics from computers..."

Really? I would think that human beings can get their basics from a rock, if they curious and attentive enough -- that is, if they are patient, motivated and open to learning.

So, what are sensible uses for digital technology in the classroom?

Kathy Cassidy, writing in Primary Preoccupation, outlines the uses the abuses of technology in the classroom, has shared her principles for the sensible use of technology in the classroom. Although she writes from the standpoint of elementary education, the principles she outlines are just as relevant for higher education.

Cassidy makes the point that the idea of using online learning platforms in (and outside of) the classroom should not simply be to use technology for technology's sake (it should not be the sense that "now that we have all this neat stuff we have to use it"), rather it should be to bring content to the classroom that was previously inaccessible; to provide students with choices in their style of learning and their method of sharing what they have learned; it should be a means of connecting classrooms, and disciplines, so that we don't treat them as separate silos of learning; and it should enable students to showcase what they have learned with an audience that extends well beyond the classroom, through blogs, digital portfolios, videos, and other digital artifacts.

The New York Times editorial was focused on standard academic courses and traditional methods of instruction; for me, the point of using digital technology and online learning platforms is to push beyond traditional methods of instruction; it is to find new ways of teaching, and maybe even new ways of thinking about education.

Kathy Cassidy's main point comes down to this, "Technology should not just allow us to do traditional [instruction and learning] in a different way; it should allow us to do things that we thought were not possible [in the classroom]." In other words, technology should not just create digitized versions of older styles of instruction;  it should open up opportunities for whole new styles of instruction and learning.

#EDCMOOC

Wednesday, February 13, 2013

What is Creativity and Self-Expression in the Digital Age? #EDCMOOC

Image credit: Brain Pickings
Maria Popova reviews Kenneth Goldsmith's "Uncreative Writing" in her literary website Brain Pickings. I know, from my own teaching experiences, that the digital revolution has made plagiarism easier for students, and -- having grown up in the age of cutting and pasting, sampling and re-purposing -- many of my students don't seem to have ethical qualms about doing this.

The surprising thing is that there is even a debate about whether or not the standards and the ethics around plagiarism should change. At first glance, the idea of the legitimacy of plagiarism seems to be a huge concession to dishonesty and intellectual laziness. The argument that students don't know the difference between plagiarism and their own creative work seems almost condescending. The notion that the technology has changed our ethical and intellectual standards seems to yield too much to technological determinism.

But Goldsmith seems to be making the argument that one cannot avoid self-expression, even when appropriating someone else's words -- or images or sounds. He argues that one expresses oneself, even in how one selects and reassembles content that others have created. One cannot avoid self-expression when one is working with, and processing, text.

Digital postings are rife with mash-ups and sampling in newer and more creative ways, unintended and unanticipated by the original creators of content. Goldsmith argues that this has always been the case, even with the analogue technology the predated the digital age. But digitized content pushes this trend into hyper-drive.

Goldsmith's book suggests that the change we are seeing, facilitated by digital technology, is not a change in ethical standards so much as it is a change in how we understand the notion of "creativity" and whether or not "originality" is as rare, and as difficult to achieve, as we once thought it was. It raises the question as to whether or not, in the past, we have over-emphasized the notion of creating text from scratch as the only form of creativity and originality in the process of self-expression. It suggests that appropriation of content, re-purposed, is a legitimate form of self-expression, and that the very act of selecting content and re-working it, is unavoidably self-expressive.

Has our understanding of plagiarism changed in the digital culture? If it has, did digital technology make this change inevitable, or would this change have occurred even without digital technology? Here are several different views on audio sampling, which is a forerunner of current arguments about "plagiarism."